I'm Gammis. This is my homepage. I make music for
games. I've composed over 1000 songs and tunes over the years
and it seems that I'll never stop creating, I'm just one of
"those" guys I guess. My main goal with this page is to easily
show some of my work for my future co-workers in the gaming
industry. It is also a space where I intend to gather all that
I've created over the years, just for fun. I hope that you
will enjoy your stay!
20th Oct 2021:
Hi there. A new album is out and I can
gladly move on towards the next few projects in line.
This one sound a bit better then my older albums in my
opinion. A great deal of that is due to more focus in
the mastering process. It's hard to be the artist, the
recording technician, the mixer AND the master
engineer of the same songs that you once came up with
and recorded on your Dictaphone. But with great tools
it's apparently possible. I switched over to iZotopes
Ozone while mastering and I believe it gave great
This is the third of four albums in a planned
collection with ideas I've recorded on my Dictaphone
over the years. I collected them all in 2018 and
started to work out some structure to the songs as
well as writing out the whole lyrics and so forth. It
was a really exiting project at that time and I
promised myself that I would see it through until the
end. Now, however, I have so much more material
recorded that I could expand the collection with a few
more albums with ease. The idea was first to sum up
these Swedish songs into different feelings, making
the album color represent the mood of the songs. After
a while I realized that the mood idea wasn't going to
happen. Instead I've sorted them in a different way:
The first album was the red one, and it was the one
containing the more serious and, frankly, depressing
songs. The second one was the yellow album which
contained a lot of the more "brain dead" songs, if you
will. Now, here's the blue one, and the theme of this
one is: job. I've had my night time job in more the 10
years now and I've learned a lot about people in these
years. Almost all the song ideas for the album were
either recorded at work or handle my thoughts about my
night time job or the work we do to get paid in
general. I'm particularly content with track 9.
Work it baby.
Project started in
2018, finished in 2021.
10th May 2021:
I finally did it! After lying almost
entirely idle and 99% done for half a year, I finally
did some of the last tweaks to this "baby" and then
released it. I started with the album in the spring of
2020 as a side project. Soon it became clear that it
would be the main project of the year and indeed my
"2020 baby". After approximately nine months it was
ready for release. But I wanted to wait a bit longer
for more mastering inspiration. Instead I got Covid-19
and didn't touch my studio for two months. Then the
project grew cold on me. To be honest I really feel
that I could have mastered it better in some "ways".
But every time I've opened the songs this year, I've
lost track of what those "ways" would be and instead
I've winded up with a feeling of wanting to move on. I
guess that I should have sent it to some professional
mixer/master-er, But that would have cost me... I'm
not there yet. I'm still really proud of my "2020
baby" and I hope that you'll take your time and listen
to the tracks. I want to thank Salah Fatah for singing
the choir on "Love Communication" with me. That
contribution means that I didn't do everything on this
album entirely alone, so thank you!
Fun fact: The only song on "Half Emptiness" that
wasn't entirely made in 2020 was the song "Cut Out My
Eyes". That song was written in 2004 for the band
Mutual Edification. I wrote it at home but formed it
together with the band at the spring rehearsals before
our summer tour that never got to be. Since then I've
never recorded even a little memory note from this
song - until now. It feels really cool to be able to
remember songs in this way and then make the song
"real" almost 20 years after it was written. I have
another song just like that in mind for a coming
Detached Ignorance release.
Back to the roots of rock.
Project started in
2020, finished in 2021.
16th Mar 2021:
Yo! Lately* I've been focusing a lot on
the mixing and mastering parts of my productions. It
has been interesting and I think that I've learned a
lot under a short period of time. But it also has it's
costs. It has been impossible to put the amount of
work that is needed into all of my projects, which in
turn injures my creativity. So I decided to cut down
the fine tuning parts in some of the projects. First
in line was the KondensKungen albums. While making
song within these projects, I just create without a
particular goal for each track. So, now I won't put to
much work into making them sound the best that they
can. It's just a pile of piled up creativity, really.
This time I only used samples starting on the letter
F. I'm happy for the help I got from my kids, my
brother and my friend Zigge. Thank you!
Finn Fem Fel:
Experimental and Instrumental..
Project started in
2019, finished in 2021. *Lately: the last couple
of years :)